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We?re all monsters.?In In and of Blood, Kat Lewis uses beautifully violent language to prove that there is no good or evil ? only circumstances. As her characters try to mitigate their immorality and point fingers to say that their monstrosity is no worse than others?, Lewis splays a truth about the human condition across each page.?Her stories, ?Six Weeks of Solitude? and ?Jello Shots and Shopping Carts? focus on the psychological monsters of hate and self-destruction. Lewis turns to physical monsters with the resurrection of a teenage girl in ?#324? and the personification of death as a fisherman in ?Hook, Line, and Dead.? The title story, ?In and of Blood,? explores the lives of two werewolf sisters as one sister embraces her feral nature and lives as a wolf while the other rejects her inner creature and struggles to live as a human.?Visceral, vicious, and unwavering, In and of Blood captivates as it comments on the monstrosity inside us all and reminds us that sometimes it?s okay to be a monster.?
We?re all monsters.?In In and of Blood, Kat Lewis uses beautifully violent language to prove that there is no good or evil ? only circumstances. As her characters try to mitigate their immorality and point fingers to say that their monstrosity is no worse than others?, Lewis splays a truth about the human condition across each page.?Her stories, ?Six Weeks of Solitude? and ?Jello Shots and Shopping Carts? focus on the psychological monsters of hate and self-destruction. Lewis turns to physical monsters with the resurrection of a teenage girl in ?#324? and the personification of death as a fisherman in ?Hook, Line, and Dead.? The title story, ?In and of Blood,? explores the lives of two werewolf sisters as one sister embraces her feral nature and lives as a wolf while the other rejects her inner creature and struggles to live as a human.?Visceral, vicious, and unwavering, In and of Blood captivates as it comments on the monstrosity inside us all and reminds us that sometimes it?s okay to be a monster.?