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The Tango Orchestra: Fundamental Concepts and Techniques By Julian Peralta Translated by Morgan James Luker Written by one of tango music?s most active contemporary orchestra leaders and composers, this book presents for the first time a comprehensive anatomy of the theory and techniques of tango arranging. Included are traditional accompaniment patterns; rules for voicing of parts; typical tango articulations and performance techniques for all instruments used in tango; and strategies for melodic and rhythmic permutation. The book prepares the tango composer or arranger with a solid grounding in traditional tango harmony and orchestration, illustrating the common practices of arrangers of the major 20th century tango orchestras. More than 400 musical examples represent a wide range of composers and arrangers, such as Canaro, De Caro, Di Sarli, Federico, Firpo, Fresedo, Gardel, Gobbi, Laurenz, Piazzolla, Plaza, Pontier, Pugliese, Salgan, Troilo, and others. Excerpts of scores for full orchestra, and a complete 12-instrument orchestration of a tango are provided for analysis. Julian Peralta is the centra
The Tango Orchestra: Fundamental Concepts and Techniques By Julian Peralta Translated by Morgan James Luker Written by one of tango music?s most active contemporary orchestra leaders and composers, this book presents for the first time a comprehensive anatomy of the theory and techniques of tango arranging. Included are traditional accompaniment patterns; rules for voicing of parts; typical tango articulations and performance techniques for all instruments used in tango; and strategies for melodic and rhythmic permutation. The book prepares the tango composer or arranger with a solid grounding in traditional tango harmony and orchestration, illustrating the common practices of arrangers of the major 20th century tango orchestras. More than 400 musical examples represent a wide range of composers and arrangers, such as Canaro, De Caro, Di Sarli, Federico, Firpo, Fresedo, Gardel, Gobbi, Laurenz, Piazzolla, Plaza, Pontier, Pugliese, Salgan, Troilo, and others. Excerpts of scores for full orchestra, and a complete 12-instrument orchestration of a tango are provided for analysis. Julian Peralta is the centra