RELATOS EN UN RINCÓN (CRIADO MARTÍN, M. ISABEL) (Ficción moderna y contemporanea)
RELATOS SIN CONTRATO (FOPIANI ROMÁN, DANIEL) (Ficción moderna y contemporanea)
SALVACIÓN (SÁNCHEZ ROBLES, MIGUEL) (Ficción moderna y contemporanea)
SOM ELS MILLORS (TINTORÉ MALUQUER, ENRIC) (Ficción moderna y contemporanea)
INDIGNACIONS I PROVOCACIONS (CABOT, JUST) (Ficción moderna y contemporanea)
L’ESTATUT, PRIMER ASSALT (Ficción moderna y contemporanea)
LITERATURA, PÀTRIA I SOCIETAT (ANGUERA, PERE) (Ficción moderna y contemporanea)
L’ESPAI IMMENS – CAT (BARRIL / VILLATORO) (Ficción moderna y contemporanea)
Joan Barril ha publicat articles d´opinió, reportatges i contes a la premsa escrita. És director i presentador dels programes ´El cafè de la República´, a Catalunya Ràdio i ´Qwerty´ a BTV. És autor, entre altres obres, de´Tots els ports es diuen Helena´,
Joan Barril ha publicat articles d´opinió, reportatges i contes a la premsa escrita. És director i presentador dels programes ´El cafè de la República´, a Catalunya Ràdio i ´Qwerty´ a BTV. És autor, entre altres obres, de´Tots els ports es diuen Helena´,
DAFNE, CORONADA DE LAURELES (HERNÁNDEZ MÉNDEZ, ESTEFANÍA) (Ficción moderna y contemporanea)
EN PALACIO NOS ENCONTRAREMOS (CASTRO LÓPEZ, SUSO) (Ficción moderna y contemporanea)
LA CENA (PLAZA CALZADA, CARLOS) (Ficción moderna y contemporanea)
THE NATURAL HISTORY OF SELBORNE (WHITE, GILBERT) (Ficción moderna y contemporanea)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
EL MIEDO DE LOS ESCLAVOS (PÉREZ FERNÁNDEZ, REBECA) (Ficción moderna y contemporanea)
EL JINETE DE LA TORMENTA (LOZANO, DARÍO) (Ficción moderna y contemporanea)
THE AINU AND THEIR FOLK-LORE (BATCHELOR, JOHN) (Ficción moderna y contemporanea)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.