Ficción moderna y contemporanea





Take a journey through the worlds of over thirty transgender women and (C)AMAB nonbinary writers in what is currently the largest collection of poetry and prose made for and by us.?Featuring new work by Luna Merbruja ? Magpie Leibowitz ?? Moss Angel ? KOKUMO ? ?Joss Barton ? Ariel Howland ? Casey Plett ? Sophia Quartz ? ?Emily Aviva Kapor-Mater ? Boudicca Walsh ? Talia C. Johnson ? Tyler Vile ? lina corvus ? Bridget Liang ? CHRYSALISAMIDST ? Ana Valens ?? Lawrence Walker ? Larissa Glasser ? Lilith Dawn ? AR Mannylee Rushet ? Connifer Candlewood ? Serafima Mintz ? A.K. Blue ? Sascha Hamilton ? erica, inchoate ? Lillita Lustre ? Oti Onum ? Rahne Alexander ? Tobi Hill-Meyer ? Sara Oliver Wight ? Tavner Castle ? Amy Heart ? and a foreword by Julia Serano











En la cruenta batalla de l'Ebre, el jove brigadista Paul Brians, fill de pare català i mare americana, és el primer a travessar el riu en l'ofensiva republicana i el darrer a repassar-lo nedant en el replegament del seu exèrcit, després de la derrota. L'ardor i el coratge d'en Paul en el combat, nascuts d'uns ideals incontestables, esdevenen desengany i violència sense sentit en el seu llarg retorn cap a casa. Només la sensualitat desfermada o l'estimació envers els cavalls podran mantenir vives les seves esperances.Un gran retaule hiperrealista d'un episodi èpic de la guerra civil, que conté personatges secundaris històrics com Líster, Modesto, Tagüeña, Yagüe o Franco.

A Woman In New York is the story of Ella Winters a teenage prostitute hooked on methamphetamine. Her pimp, Jimmy Diaz, is a street punk, trying to make it in New York City. Johnny Russo is the social worker whose cases include that of Ella Winters, and who provokes Jimmy Diaz into rash action.This unhappy triangle disentangles itself as Ella, Jimmy and Johnny grow into different people by overcoming obstacles in their paths and building relationships that remove the bitterness and rootlessness of their early adult years.





This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.



In the summer of 1971, Dallas Green and Lonnie McKay made a spur-of-the-moment decision to leave their hot, dusty farming town and head south to Mexico in Lonnie's 1965 Chevy. They told each other they were going down there to find a friend who had disappeared a few years before, but the truth was that what they were really looking for was an escape from work, the draft, the war, and the prospect of having to finally grow up. Scott R. Larson has drawn on his own memories of growing up in the San Joaquin Valley to tell this story of two teenagers on the brink of manhood and their once-in-a-lifetime adventure.