CHICAGO (Historia)
VIAJE DEL MUNDO . ENSAYOS EN HONOR A CARLOS MARTÍNEZ SHAW (MARTÍNEZ TORRES, JOSÉ ANTONIO) (Historia)
ELS PREMIS NOBEL DE L’ANY 2008 CICLE DE CONFERÈNCIES (SAYERAS MASPERA, JOSEP M.) (Historia)
CONÈIXER ARTÀ . EL MEDI FÍSIC I NATURAL, LA HISTÒRIA (ALZINA MESTRE, JAUME) (Historia)
DEBATES POR UNA HISTORIA VIVA (Historia)
La historia vive, por Fernando García de Cortázar.El oficio de historiador y el presente, por José A. Ereño Altuna.El historiador escéptico, por Santos Juliá.La función de la Historia, por Juan J. Laborda.La Historia se defiende, por Julio Valdeón Baruque.La Historia ante el debate sobre sí misma, por M. Jesús Cava Mesa.El riesgo de una Historia optimista, por Alfonso Botti.En torno a la Historia viva, por Patxi Lázaro Domínguez.Historia, Medio y Mensaje, por José L. López García.Historia cum dignitate, por Roberto San Salvador del Valle.El «mea culpa» del historiador, por José M. González Vesga.En algún lugar del corazón de la Historia, por José M. Lorenzo Espinosa.La Historia cuestionada, por Aingeru Zabala.El estilo de la Historia, por José Manuel Azcona.Historia de hoy: balance de los ochenta y el pulso universitario, por Anabella Barroso Arahuetes y Aránzazu Pareja.
La historia vive, por Fernando García de Cortázar.El oficio de historiador y el presente, por José A. Ereño Altuna.El historiador escéptico, por Santos Juliá.La función de la Historia, por Juan J. Laborda.La Historia se defiende, por Julio Valdeón Baruque.La Historia ante el debate sobre sí misma, por M. Jesús Cava Mesa.El riesgo de una Historia optimista, por Alfonso Botti.En torno a la Historia viva, por Patxi Lázaro Domínguez.Historia, Medio y Mensaje, por José L. López García.Historia cum dignitate, por Roberto San Salvador del Valle.El «mea culpa» del historiador, por José M. González Vesga.En algún lugar del corazón de la Historia, por José M. Lorenzo Espinosa.La Historia cuestionada, por Aingeru Zabala.El estilo de la Historia, por José Manuel Azcona.Historia de hoy: balance de los ochenta y el pulso universitario, por Anabella Barroso Arahuetes y Aránzazu Pareja.HIDE AND SEEK (Historia)
ARAGÓN (QUADRADO, JOSÉ MARÍA) (Historia)
LOS PRIMITIVOS FLAMENCOS (BALLESTEROS ARRANZ, ERNESTO) (Historia)
No sólo en Italia comienzan a oírse las trompetas de la revolución socioeconómica que va a transformar Europa. Flandes siente también esta conmoción histórica que se avecina y da a luz un arte tan vanguardista y sorprendente como el italiano, como podemos ver en esta breve colección. Las diferencias con el arte italiano son evidentes, pero también lo son con el arte europeo anterior. En Flandes se está fraguando una revolución artística semejante a la italiana.
No sólo en Italia comienzan a oírse las trompetas de la revolución socioeconómica que va a transformar Europa. Flandes siente también esta conmoción histórica que se avecina y da a luz un arte tan vanguardista y sorprendente como el italiano, como podemos ver en esta breve colección. Las diferencias con el arte italiano son evidentes, pero también lo son con el arte europeo anterior. En Flandes se está fraguando una revolución artística semejante a la italiana.ALEJANDRO MALASPINA . LA AMÉRICA IMPOSIBLE (SÁIZ MARTÍNEZ, BLANCA) (Historia)
ALEDO Y TOTANA EN LOS SIGLOS XV-XVI. TERRITORIO, PAISAJE, HISTORIA (SÁNCHEZ PRAVIA, JOSÉ ANTONIO) (Historia)
PLUTARCH’S LIVES; VOLUME 3 (LANGHORNE, JOHN/WRANGHAM, FRANCIS/LANGHORNE, WILLIAM) (Historia)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.THE WRITINGS IN PROSE AND VERSE OF EUGENE FIELD (FIELD, ROSWELL MARTIN/FIELD, EUGENE/HORACE, HORACE) (Historia)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.SKETCHES OF THE CHURCHES AND PASTORS IN HAMPDEN COUNTY, MASS (COOLEY, TIMOTHY MATHER/HAMPDEN EAST ASSOCIATION OF CONGREGATION) (Historia)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.PRINCIPLES OF SHORTHAND ARRANGED FOR CONVENIENT STUDY AND REVIEW AND FOR READY R (MUSICK, WILLIAM LESLIE) (Historia)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







