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In her fourth collection of poetry, Where Water Meets the Rock, Lindsey Martin-Bowen explores loss and recuperation in three sections. ?Erosion,? the book?s elegiac opening sequence, laments a trinity of tragic Greek personas: Pasipha?, Psyche, and Antigone. The middle section, ?Frenzies,? a series of zany poems, emulates the ensuing topsy-turvy world that follows deep loss. And finally, ?On the Shore? completes the triad, concluding that by re-seeing and re-building life, one can heal the psyche and the spirit. Once again, through the use of her recurring sea-rock metaphor, Martin-Bowen has employed a poetic technique that effectively maintains both a visual and auditory descriptive style, which, according to New Letters editor Robert Stewart, is defined by her ?refreshing reliance on imagery and understatement.?
In her fourth collection of poetry, Where Water Meets the Rock, Lindsey Martin-Bowen explores loss and recuperation in three sections. ?Erosion,? the book?s elegiac opening sequence, laments a trinity of tragic Greek personas: Pasipha?, Psyche, and Antigone. The middle section, ?Frenzies,? a series of zany poems, emulates the ensuing topsy-turvy world that follows deep loss. And finally, ?On the Shore? completes the triad, concluding that by re-seeing and re-building life, one can heal the psyche and the spirit. Once again, through the use of her recurring sea-rock metaphor, Martin-Bowen has employed a poetic technique that effectively maintains both a visual and auditory descriptive style, which, according to New Letters editor Robert Stewart, is defined by her ?refreshing reliance on imagery and understatement.?