Biografía: general

VIDA PARA RECORDAR

Según redactaba esta biografía asomaban muchas vivencias a mi memoria. No obstante, deseo relatar las anécdotas más relevantes con el deseo de que mis hijos recuerden siempre a su padre tal y como es, y, a través de este recorrido de vida, sepan comprenderme. A medida que voy repasando el sendero recorrido, siento que son muchos los tesoros acumulados, y siento que fue en Francia en donde las circunstancias se presentaron más favorables. Tal vez la juventud en pareja. Tal vez el sabor de la libertad recién estrenada. El saberse sin censuras; el ser uno mismo director de la banda sonora de su existencia?

RITUALES COTIDIANOS

Aislarse por completo o celebrar fiestas multitudinarias, recurrir a los estupefacientes o a la vida saludable, renunciar a los hijos o dejar que pululen por el estudio... Los modos de enfrentarse a la creación son innumerables, como refleja el irónico y sagaz testimonio de las protagonistas de este libro. Pintoras, compositoras, escultoras, científicas, cineastas e intérpretes revelan las pequeñas y grandes decisiones que tuvieron que tomar en su vida cotidiana. Nos muestran cómo han logrado vencer los obstáculos que afronta cualquier artista, pero también los que tenían por el hecho de ser mujeres: la conciliación familiar, la presión social o la intendencia del hogar. Aparecen, entre otras, Pina Bausch, Nina Simone, Diane Arbus, Louisa May Alcott, Dorothy Parker, Grace Paley, Marlene Dietrich, Susan Sontag, Marie Curie, Virginia Woolf, Emily Dickinson, Patti Smith, Joan Didion...

AUGUSTO RODIN

Este "Rodin" de Rilke no es el libro de un crítico que concurre a una galería de arte o a un museo, se planta ante la obra del artista, la contempla, la estudia y se retira a escribir sobre ella. Esta obra ha sido escrita mientras veía trabajar al maestro y lo oía exponer la concepción de su arte y sus ideas sobre sus propios trabajos; mientras aprendía él mismo "algo de la esencia de la creación". Se comprende así el poderoso efecto de inspiración que debían tener esas palabras en el joven poeta. ¿Es posible que un pintor influya tanto en la obra de un poeta? El propio Rilke escribe en una carta: "cuán ampliamente esta influencia directa y múltiple del gran escultor superó todas las de procedencia literaria, y las hizo, en cierto modo, superfluas". Si bien Rodin no podía enseñarle nada relativo a la escritura sí le ayudó a descubrir el secreto del Arte.

THE UNITED STATES SERVICE MAGAZINE, VOLUME 5, ISSUE 3

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NOGI

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A HISTORY OF THE COLONY OF VICTORIA

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THE LIFE OF JANE DORMER, DUCHESS OF FERIA

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

RARE AMERICAN HISTORY, BEING THE LIBRARY OF WILLIAM FISHER LEWIS, ESQ

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KING LEOPOLD’S SOLILOQUY

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SOY TU HOMBRE. LA VIDA DE LEONARD COHEN

La primera gran biografía de Leonard Cohen. Cuando aún era un adolescente, Leonard Cohen se asomó un día al balcón de su casa en Montreal cerca de un parque, y oyó unos acordes de guitarra. El chico sentado en el parque tocaba flamenco y durante unos pocos días se convirtió en el primer maestro de Leonard. Desde entonces, paso a paso, Leonard Cohen ha ido forjando una carrera donde los momentos estelares se han alternado con épocas oscuras, y donde la música ha ido acompañada de la escritura. Canciones como Suzanne, So Long, Marianne o Chelsea Hotel nos han acompañado a lo largo del siglo XX y los poemas de El libro del anhelo resumen en pocas líneas emociones que no tienen fecha de caducidad. Muchos jóvenes veneran a ese hombre que en 2011 fue galardonado con el Premio Príncipe de Asturias y a sus setenta y ocho años aun tiene fuerzas y ganas de dar la vuelta al mundo para estar cerca de su público. Cuando alguien le tacha de pesimista, Cohen sonríe y suelta una de sus frases memorables, que son una lección de vida. Revisando estas palabras, entrevistando a la gente que le es próxima, trabajando con el artista para recabar datos inéditos de su trayectoria personal y profesional, Sylvie Simmons ha reunido las piezas que componen al hombre y al artista, hasta lograr su mejor retrato. «Si queremos expresar la derrota común, procuremos hacerlo dentro de los límites estrictos de la dignidad y la belleza.»Leonard Cohen

MEMOIRES OF A SUB SAHARAN VILLAGE GIRL

This book details my life and in summary, I look at my life in decades, the first decade was being born then filled with travel from a very early stage as well as learning and living in war torn Rhodesia. However with my naivety at that time – the war was almost like an adventure apart from the struggle for food and living in mud huts and sleeping on cow dung decorated floors. The second decade was all about higher education, experiencing teenage years, travelling to Europe albeit briefly and meeting the father of my children. The third decade was the period I had my two children and made the heart breaking decision of leaving my children with my parents while I started a new beginning overseas. However once they joined me, I played my part bringing up my children and step children and juggling motherhood as well as finding and building a career in the banking industry. The fourth decade was spent  running and managing a home of seven, travelling on business as well as travelling on family vacations and excelling in my career. The fifth decade is all about enjoying life in retirement and spending time with my grandchildren. Presently, my life is all about living well and spending time in different countries in mainland Europe. Having accomplished more than I ever dreamed of, I feel that I have lived a very blessed/ fortunate life and achieved more than I ever imagined in my life. My only wish is that my parents were here to see how life turned out for me.

RAMBLES IN GERMANY AND ITALY IN 1840, 1842, AND 1843; VOLUME 1

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GEORGE BERNARD SHAW, HIS LIFE AND WORKS

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RICHARD WAGNER’S LETTERS TO HIS DRESDEN FRIENDS

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LIFE OF WILLIAM ROLLINSON WHITTINGHAM, FOURTH BISHOP OF MARYLAND; VOLUME 1

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.