Ficción moderna y contemporanea

A lo largo de la obra de Alejo Carpentier se formula toda una teoría de lo que ha de ser la novela latinoamericana en la actual etapa de su evolución, y al mismo tiempo se realiza una novelística que en todo responde a esa formulación teórica.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.





This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Sitting in his old high school parking lot, Michael Oliver James III began to question himself, ?Why am I here, and why did I bother coming at all?? His fear causes his hands to shake, his face to sweat, and his body to flow with anxiety. Panic stricken, he closes his eyes and covers them with sweaty hands and takes a deep breath to compose himself. Exhaling and lowering his head he takes a deep breath and opens his eyes? His mouth wide open, his hands lowers, and slowly looking up, there he is - Craig Daniels his greatest nemeses. He?s been transported back to a time of nose bleeds, headaches, and humiliations. Before the memory of his future fades he realizes he?s about to relive his childhood life all over again.

Los híbridos están entre nosotros. La Tierra ha cambiado. Los humanos han cambiado. Los híbridos ya están aquí. El jefe nixo Norkam, junto a la híbrida-humana Leiana y su guerrero Cyan, rigen el nuevo mundo. Yseut y Gael huyen para reunirse con Hugo, el padre del joven, y poder cumplir con su misión en el planeta Éter. En el camino rescatarán a Jano, un adolescente de dieciocho años quien, junto con el aguerrido León, formará parte del creciente grupo de humanos «normales»; ellos intentarán resistir el cambio generado por los nixos, planeando la destrucción de los «distintos». Pero todo puede estallar por los aires cuando Gael descubra la verdadera identidad de Leiana.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Aquesta antologia de Miquel Martí i Pol, ja clàssica, va ser posada al dia en motiu del setanté aniversari de l'autor. El reconegut especialista Ricard Torrents aplega, seguint un ordre temàtic, els millors poemes de Martí i Pol i ens presenta de manera clara in rigorosa el seu univers poètic, des de la seva formació, passant per l'eclosió i finalment la consolidació com un dels noms fonamentals de la poesia catalana desl darrers anys.

La Carla Mas, estrella del serial de la tele L'esquerra de l'Eixample, i la seva mare, una vella glòria de l'escena catalana, tenen una relació impossible. Han viscut juntes tota la vida i no han fet altra cosa que odiar-se mútuament. Ara la Carla li ha d'explicar que els responsables de la sèrie volen «matar» el seu personatge i no veu la manera... Mentrestant, la guionista, la Sílvia Clotet, és a punt de perdre el seu lloc de coordinació en favor de la Blanca Guerra, la nova protegida del Perejaume Oriol, creador de la «bíblia» del serial i penques professional. El drama està servit, i també una trama trepidant.



Com és una jornada laboral d'un grup de funcionaris? La comunitat funcionarial desperta curiositat i enveja a parts iguals. Per això ens ha semblat oportú desmuntar uns quants mites amb aquesta sàtira refrescant i àcida com un granissat de llimona. Antònia Carré-Pons ha escrit una narració sobre els engranatges humans que conformen un organisme governamental, fent ús d'una impagable galeria de personatges que es belluguen sense escrúpols per entre les xarxes del sistema. Jo també vull ser funcionari és una crítica divertida de l'espècie funcionarial que es podria aplicar a qualsevol institució pública -conselleria, ajuntament, diputació, consell comarcal, ministeri o vegueria-, sigui quin sigui el seu color polític.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.