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Ficción moderna y contemporanea

BLUE FOUNTAIN (TUCKER, SARA;LINDGREEN, CONSTANCE) (Ficción moderna y contemporanea)

The members of the Crossroads Writers Club hail from seven different countries, including Colombia, France, and the Netherlands. Writing in English, they meet once a month somewhere in Fontainebleau Forest?a region dotted with towns, small villages, and hamlets?to share their works in progress. In their debut publication, you'll meet a necromancer who crashes a forest picnic, a refugee from Kosovo who bewitches a London widower, an elegant wife confined to a Colombian coffee plantation, a Japanese salaryman at a turning point. You'll travel to the island of Madagascar; the Italian countryside; a Corsican village; a Welsh mining town. Some stories are based on real events, and some are pure flights of the imagination. Their geographic scope and cultural diversity are a tribute to Crossroads, the club's parent?organization, a nonprofit association that brings together an international assortment of English speakers who just happen to live in or near?Fontainebleau,?France.Authors:?Nysha?Concannon,?Si?n?Cronin,?Christine?Albertini?Drew,?Constance?Lindgreen, Vali Marlow,?Kim Pellet, Daniel Pouget, Kelly Bostrom R

WITH A POLICEMAN IN SOUTH AFRICA (SEARLE, ERNEST W.) (Ficción moderna y contemporanea)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A FALLING FRIEND (FEATHERSTONE, SUE;PAPE, SUSAN;FOSTER, KATE) (Ficción moderna y contemporanea)

After spending her twenties sailing the globe, making love on fine white sand, and thinking only of today, Teri Meyer returns to Yorkshire ? and to studying. That?s when she discovers John Wilmot, the second Earl of Rochester, and poet of all things depraved. What she doesn?t realise is even beyond his grave, his influence over her is extraordinary. To hell with the consequences. Having gone out on a limb to get old friend Teri a job at the university at which she teaches, it doesn?t take long for Lee Harper to recognise a pattern. Wherever Teri goes, whatever she does, every selfish choice she makes, it?s all setting her up for a nasty fall. But Teri?s not the sort to heed a warning, so Lee has no choice but to stand by and watch. And besides, she has her own life to straighten out. A clever, raw and hilarious character-driven masterpiece that follows the lives of two friends with the same ambitions, but who have vastly different ways of achieving them.

SCHAEFFER AND OLLIE (BRATCHER, LAMONICA;BRYAN, A.C.;MARTIN, JASMINE) (Ficción moderna y contemporanea)

Schaeffer and Ollie Meet the Gang is the second book in this series. It's been a couple of weeks since Schaeffer has been staying with his grandparents and now he longs to meet and play with the other children in the neighborhood. His opportunity to "Meet the Gang" of children has come! Now even more exploits are about to occur! Schaeffer introduces his dog Ollie to the children in the neighborhood and the fun begins! He finds a friend that thinks a lot like he does and they are off to mischievous adventures.

TIGRES (JANER MANILA, GABRIEL) (Ficción moderna y contemporanea)

Història d´una família de banquers mallorquins al llarg del segle XX. Al llarg de la novel·la s´hi encavalquen diversos temes com són l´amor i el desamor, el poder dels diners, la incertesa, l´atzar... Segurament l´element protagonista és el diner, però també el mar, el mar de l´illa, a vegades excessiu i fantàstic, que és omnipresent.

DONE WITH DEATH (BABINEAU, DAVID) (Ficción moderna y contemporanea)

Welcome to Purgatory! Why Purgatory you ask? Well that's easy; you are here because you did everything right and at the same time--everything wrong. Listen, no one said this was going to be easy but while you are here, you may as well enjoy our ever-grey skies and check out some of our tourist attractions. We really don't care what you do here in Purgatory because no matter what--you are going to be here for a very long time! Chuck Robbins never wanted to die. When a death comes knocking to offer him a job, well--he'd be an idiot to pass it up. Living dead in Purgatory was the just the beginning of Chuck's troubles. Now he must reap the souls of people he's never met, just to make his quota or face banishment to the worst company every created--Hell; where there are no vacation packages or retirement incentives. Chuck's only problem--an ancient evil within the universe has taken an interest in him and it wants Chuck to succeed, because when he does; the system will fail and the universe will collapse. Done With Death contains demons, fallen angels who curse like sailors, Jesus who loves to drink

DYSTOPIAN EXPRESS (BLANKENSHIP, ROBIN;HALL, F.L.) (Ficción moderna y contemporanea)

It wasn?t supposed to be this way. You are followed. You are watched. Suppress your thoughts. Do as they say. You stand as one against them all. What happens when every aspect of your life is managed, manipulated, and controlled by someone else. Everyone is guaranteed the opportunity to suffer equally for the greater good in this dystopian society. You become weary in your helplessness and have no voice in what happens to you, your family, friends and neighbors. Your possessions, your body, and even your thoughts, belong to them and not yourself. What will you do? Jump on board and witness how the landscape has changed as we ride the rails of the Dystopian Express.

SHADOW OF WHIMSY (HYMES, ANN) (Ficción moderna y contemporanea)

Several generations of one family have lived, loved, and lied at Whimsy Towers, a unique oceanfront house in Chatham, Massachusetts.? Strong women who refuse to be suffocated by marriage have found excitement and refuge in this house filled with artists and parties.? Love surfaces in unexpected ways.? The newest owner, Theresa Alston Crandall, has just inherited the property and leaves her too-predictable husband in Virginia to spend time on the Cape and unravel family secrets and history. She swims, reflects, explores, and watches dramatic cloud formations float high over the ocean as she sorts through the choices in her path forward. Romance arrives in the form of a young widower and landscape gardener with an awesome pickup truck, who likes Theresa?s dog and provides temptation to stay at Whimsy Towers. Tips of tree branches dance with the weight of birds that seem to scream warnings of danger, and the churning ocean disrupts family continuity. Theresa learns how her Southern grandmother came to buy a storm-weathered New England house and how loveless marriage is not a mandatory life style.? The final

EL CUADERNO VERDE DEL FARERO DE OYAMBRE. EL CUARTO SECRETO (J. ORTIZ, IÑIGO / DEL AGUA, S.) (Ficción moderna y contemporanea)

Sandra e Iñigo no se conocían. Su primer contacto fue enun foro en Internet. Con el intercambio de unas primeraspalabras, descubrieron el mutuo interés por la literatura.Sandra hacía tiempo que deseaba encontrar a alguien conquien escribir algo a medias. Por eso se lo sugirió de inmediatoa Iñigo. Y juntos decidieron embarcarse en esta narracióncompartida. Sin conocerse, empezaron este pequeño divertimentoliterario.Sandra propuso un título: “El Cuarto Secreto”. Para queIñigo escribiera el primer capítulo. Y ella, el segundo. Y así,alternándose, hasta… donde la ilusión les llevara.Y sin conocerse.Así empezaron…

BAKER’S BLUES (HENDRICKS, JUDITH RYAN) (Ficción moderna y contemporanea)

In Wyn Morrison's world a 5 A.M. phone call usually means problems at her bakery--equipment trouble or a first shift employee calling in sick--annoying but mundane, fixable. But the news she receives on a warm July morning is anything but mundane. Or fixable. Mac, her ex-husband, is dead. Ineligible for widowhood, Wyn is nonetheless shaken to her core as she discovers that the fact of divorce offers no immunity from grief. Friends and family are bewildered by her spiral into sadness, Mac's daughter Skye blames her for his death. For the last several years Wyn has been more businesswoman than baker, leaving most of the actual bread making to others. Now, as she takes up her place in the bread rotation once more, she will sift through her memories, coming to terms with Mac and his demons, with Skye's anger, and with Alex, who was once more than a friend. Soon she will re-learn the lessons that she first discovered at the Queen Street Bakery in Seattle...bread is a process--slow, arduous, messy, unpredictable. It should be eaten with eyes closed and heart open.