ELS FANTASMES DE GOYA (CARRIÈRE, JEAN-CLAUDE) (Ficción moderna y contemporanea)
THE LIGHT MAKERS (O’DONNELL, MARY) (Ficción moderna y contemporanea)
Photojournalist Hanna Troy is killing time on a summer walkabout in the city. As the afternoon progresses, her reflections unravel a raw, sometimes sensuous story of darkness and light.? It explores a failing relationship, the anguish of a professional trying to become a mother and the complexities of a young and outspoken woman in Ireland?s somewhat repressed 1980s. Considering the experiences of her contemporaries and evoking family events long past that still resonate, Hanna is determined that her own resilience will overcome the challenges she faces.When The Light Makers was first published it received widespread acclaim, with critics describing Mary O?Donnell?s debut as ?compelling?, ?powerful? and ?erotic?. It rated in the Irish best seller listings for weeks and became the Sunday Tribune?s choice as ?Best New Irish Novel of 1992.?? This is the novel?s second edition.
Photojournalist Hanna Troy is killing time on a summer walkabout in the city. As the afternoon progresses, her reflections unravel a raw, sometimes sensuous story of darkness and light.? It explores a failing relationship, the anguish of a professional trying to become a mother and the complexities of a young and outspoken woman in Ireland?s somewhat repressed 1980s. Considering the experiences of her contemporaries and evoking family events long past that still resonate, Hanna is determined that her own resilience will overcome the challenges she faces.When The Light Makers was first published it received widespread acclaim, with critics describing Mary O?Donnell?s debut as ?compelling?, ?powerful? and ?erotic?. It rated in the Irish best seller listings for weeks and became the Sunday Tribune?s choice as ?Best New Irish Novel of 1992.?? This is the novel?s second edition.THE HOUSE OF THE BLACK RING (PATTEE, FRED LEWIS) (Ficción moderna y contemporanea)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.STILL FEENIN’ (HALL, SERENITI) (Ficción moderna y contemporanea)
When Infinity suddenly shows up offering Tanisha her forgiveness, yet asks explicit details about Tanisha's previous affair with her husband, Roscoe, Tanisha has every right to be suspicious. Despite her gut feeling, she accepts Infinity's friendship. As the women try to bury old bones, Infinity introduces Tanisha to her three friends, Venom, Jazzy, and Armani. Once secrets, gossip and betrayal stir up between the women, most times placing Tanisha in the middle, Tanisha finally removes the blinders and opens her eyes to the truth . . . Friendship and loyalty can sometimes mix like oil and water. Just as Tanisha begins to feel a decent life is opening its doors to her, Infinity allows insecurity and misconception to darken her heart. Envious and vengeful, Infinity pulls the ultimate double cross, leaving Tanisha devastated and without hope. Will Tanisha fight back and overcome these obstacles to maintain her sobriety? Or will she give up and relapse to the one thing she knows will offer her quick relief? We will soon find out!
When Infinity suddenly shows up offering Tanisha her forgiveness, yet asks explicit details about Tanisha's previous affair with her husband, Roscoe, Tanisha has every right to be suspicious. Despite her gut feeling, she accepts Infinity's friendship. As the women try to bury old bones, Infinity introduces Tanisha to her three friends, Venom, Jazzy, and Armani. Once secrets, gossip and betrayal stir up between the women, most times placing Tanisha in the middle, Tanisha finally removes the blinders and opens her eyes to the truth . . . Friendship and loyalty can sometimes mix like oil and water. Just as Tanisha begins to feel a decent life is opening its doors to her, Infinity allows insecurity and misconception to darken her heart. Envious and vengeful, Infinity pulls the ultimate double cross, leaving Tanisha devastated and without hope. Will Tanisha fight back and overcome these obstacles to maintain her sobriety? Or will she give up and relapse to the one thing she knows will offer her quick relief? We will soon find out!FEENIN’ (HALL, SERENITI) (Ficción moderna y contemporanea)
Tanisha Hopkins aka Tiny dreams of living the glamorous life by any means necessary. A bona fide, certified, authentic material girl in every sense of the description, Tiny is Feenin' to live life fast and furious and has found the perfect man to make all her dreams a reality. But everything that glitters isn't always gold. Meeting her match, Roscoe, a hustler with a dream, a scheme, and his hands in the mix of everything, proves to be a disaster in the making. Tiny quickly learns why many people not only despise Roscoe, but fear him too. As treachery, murder and mayhem collide in this masterfully penned novel, will Tiny learn that Roscoe is a force to be reckoned with before it's too late? Or will she get a shocking wake-up call that has her knocking at death's door?
Tanisha Hopkins aka Tiny dreams of living the glamorous life by any means necessary. A bona fide, certified, authentic material girl in every sense of the description, Tiny is Feenin' to live life fast and furious and has found the perfect man to make all her dreams a reality. But everything that glitters isn't always gold. Meeting her match, Roscoe, a hustler with a dream, a scheme, and his hands in the mix of everything, proves to be a disaster in the making. Tiny quickly learns why many people not only despise Roscoe, but fear him too. As treachery, murder and mayhem collide in this masterfully penned novel, will Tiny learn that Roscoe is a force to be reckoned with before it's too late? Or will she get a shocking wake-up call that has her knocking at death's door?THE DRAVIDIAN NIGHTS ENTERTAINMENTS (SASTRI, S M. NATESA) (Ficción moderna y contemporanea)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.TALES AND NOVELS (EDGEWORTH, MARIA) (Ficción moderna y contemporanea)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.LINCOLN’S WIZARD (HICKMAN, TRACY;WILLIS, DAN) (Ficción moderna y contemporanea)
Washington has fallen! Legions of 'grays' -- dead soldiers reanimated on the battlefield and pressed back into service of the Southern Cause -- have pushed the lines as far north as the Ohio River. Lincoln has moved the government of the United States to New York City. He needs to stop the juggernaught of the Southern undead 'abominations' or the North will ultimately fall. But Allan Pinkerton, his head of security, has a plan... The Northern newspapers are heralding Braxton Wright as the Hero of Parkersburg, but the engineer who designed the Northern walking monitors -- Tall Guns -- knows the truth. He had acted more out of panic than heroism and is certain he has gotten his best best friend, physician Lawrence Hancock, killed in the cold waters of the Ohio as a result. What he would like is to be forgotten. But at Pinkerton's urging, Lincoln personally sends Braxton on a mission aboard Gen. Sherman's airship deep into Southern territory. He will find Hattie Lawton, the woman who is the North's most capable spy, and with her must stop the undead of the South from rising again!
Washington has fallen! Legions of 'grays' -- dead soldiers reanimated on the battlefield and pressed back into service of the Southern Cause -- have pushed the lines as far north as the Ohio River. Lincoln has moved the government of the United States to New York City. He needs to stop the juggernaught of the Southern undead 'abominations' or the North will ultimately fall. But Allan Pinkerton, his head of security, has a plan... The Northern newspapers are heralding Braxton Wright as the Hero of Parkersburg, but the engineer who designed the Northern walking monitors -- Tall Guns -- knows the truth. He had acted more out of panic than heroism and is certain he has gotten his best best friend, physician Lawrence Hancock, killed in the cold waters of the Ohio as a result. What he would like is to be forgotten. But at Pinkerton's urging, Lincoln personally sends Braxton on a mission aboard Gen. Sherman's airship deep into Southern territory. He will find Hattie Lawton, the woman who is the North's most capable spy, and with her must stop the undead of the South from rising again!THE HISTORY OF SWITZERLAND (WILSON, JOHN) (Ficción moderna y contemporanea)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.BRAZILIAN TALES (GOLDBERG,ISAAC/ASSIS, MACHADO DE) (Ficción moderna y contemporanea)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.BRIGHT WHITE (MASSARO, CARL) (Ficción moderna y contemporanea)
At the turn of the last century, vast sums of resources were extracted from the Triumph Mine, just a mile or two from what became the world's first ski resort built by New York financiers. These same financiers traded stock in the parent company that owned the Triumph and controlled a raw material that became more important than gold. This is the story of some miners, some skiers, and a few song writers. It's a story of some regular hard-working Americans caught up in a battle halfway around the globe, a battle that needed Tetra Ethylene Lead to begin. It's a love story, set at a time when life was far simpler and folks made do. Step into the Triumph Mine: it's warm inside this 8,000 foot mountain in winter. When you step out, the whole world looks "Bright White."
At the turn of the last century, vast sums of resources were extracted from the Triumph Mine, just a mile or two from what became the world's first ski resort built by New York financiers. These same financiers traded stock in the parent company that owned the Triumph and controlled a raw material that became more important than gold. This is the story of some miners, some skiers, and a few song writers. It's a story of some regular hard-working Americans caught up in a battle halfway around the globe, a battle that needed Tetra Ethylene Lead to begin. It's a love story, set at a time when life was far simpler and folks made do. Step into the Triumph Mine: it's warm inside this 8,000 foot mountain in winter. When you step out, the whole world looks "Bright White."SKINHEAD ESCAPES (ALLEN, RICHARD) (Ficción moderna y contemporanea)
Down below, like some gigantic monster from Earth?s dark past, a moving van waited in the mist. Judging the distance as best he could, Joe leaped into space . . . Get Joe Hawkins! Vicious former skinhead Joe Hawkins has done a runner from prison. On the lam, he cuts a swathe through England?s heartland, sex and violence very much on his mind. Newly equipped with a shooter, Joe pals up with armed robbers, evading the coppers by a whisker. But Joe?s now a marked man ? a powerful criminal is gunning for him, with no plans to quit until he?s found his target. Even Joe?s never been in this tight a spot before . . . Skinhead Escapes (1972) was the third book in Richard Allen?s bestselling Skinhead series, one of the most potent artefacts of British popular culture ever committed to print. ?I did happen to read Skinhead when it came out and I was quite interested in the whole Richard Allen cult . . . suedeheads and skinheads and smoothies were very much part of daily life. There was a tremendous air of intensity . . . something interesting grabbed me about the whole thing.? Morrissey ?(Richard Allen?s) work sho
Down below, like some gigantic monster from Earth?s dark past, a moving van waited in the mist. Judging the distance as best he could, Joe leaped into space . . . Get Joe Hawkins! Vicious former skinhead Joe Hawkins has done a runner from prison. On the lam, he cuts a swathe through England?s heartland, sex and violence very much on his mind. Newly equipped with a shooter, Joe pals up with armed robbers, evading the coppers by a whisker. But Joe?s now a marked man ? a powerful criminal is gunning for him, with no plans to quit until he?s found his target. Even Joe?s never been in this tight a spot before . . . Skinhead Escapes (1972) was the third book in Richard Allen?s bestselling Skinhead series, one of the most potent artefacts of British popular culture ever committed to print. ?I did happen to read Skinhead when it came out and I was quite interested in the whole Richard Allen cult . . . suedeheads and skinheads and smoothies were very much part of daily life. There was a tremendous air of intensity . . . something interesting grabbed me about the whole thing.? Morrissey ?(Richard Allen?s) work shoTHE LOST HORIZON (BORLEY, GEORGE COLBY) (Ficción moderna y contemporanea)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.THE HISTORY OF LANDGUARD FORT, IN SUFFOLK (LESLIE, JOHN HENRY) (Ficción moderna y contemporanea)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
