PALESTINE UNDER THE MOSLEMS (LE STRANGE, GUY) (Historia)
THE NESTORIANS AND THEIR RITUALS (BADGER, GEORGE PERCY) (Historia)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
THE MINSTRELSY OF ENGLAND (KIDSON, FRANK/MOFFAT, ALFRED) (Historia)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
MUSIC APPRECIATION FOR LITTLE CHILDREN (VICTOR TALKING MACHINE COMPANY) (Historia)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
VISITOR’S ILLUSTRATED GUIDE TO BOMBAY (PINDER, D A.) (Historia)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
MILTON’S PARADISE LOST (PR. FROM THE TEXT OF MR. KEIGHTLEY’S LIBRARY ED.) (MILTON, JOHN) (Historia)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
THE DESCRIPTION AND NATURAL HISTORY OF THE COASTS OF NORTH AMERICA (ACADIA) (PALTSITS, VICTOR HUGO/GANONG, WILLIAM FRANCIS/DENYS, NICOLAS) (Historia)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A HISTORY OF CLASSICAL SCHOLARSHIP … (SANDYS, JOHN EDWIN) (Historia)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
POEMS BY THE LATE THOMAS LOVELL BEDDOES, AUTHOR OF DEATH’S JEST-BOOK OR THE FOOL (BEDDOES, THOMAS LOVELL) (Historia)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
EL BANCO DE BARCELONA, 1874-1920. DECADENCIA Y QUIEBRA (BLASCO MARTEL, YOLANDA / SUDRIÀ TRIAY, CARLES) (Historia)
El Banco de Barcelona, pionero del sistema bancario español, se declaró en suspensión de pagos en diciembre de 1920, cerrando sus puertas de forma definitiva. El proceso de quiebra conllevó graves pérdidas tanto para los accionistas como para los cuentacorrentistas y acreedores. Este organismo había comenzado desempeñando funciones de banco emisor de billetes en las tres primeras décadas de su existencia, periodo al que los autores de esta obra ya dedicaron un volumen anterior El Banco de Barcelona (1844-1874). Historia de un banco emisor (2010). Posteriormente desarrolló su actividad como banco comercial (1874-1920), época que se estudia en este libro, el cual también se ocupa del ocaso y fin de esta institución después de un agónico proceso. La desaparición del Banco de Barcelona fue interpretada como signo del fracaso financiero de la burguesía catalana. Los autores analizan las causas del declive y ofrecen nuevas evidencias sobre las circunstancias que llevaron a su quiebra.
El Banco de Barcelona, pionero del sistema bancario español, se declaró en suspensión de pagos en diciembre de 1920, cerrando sus puertas de forma definitiva. El proceso de quiebra conllevó graves pérdidas tanto para los accionistas como para los cuentacorrentistas y acreedores. Este organismo había comenzado desempeñando funciones de banco emisor de billetes en las tres primeras décadas de su existencia, periodo al que los autores de esta obra ya dedicaron un volumen anterior El Banco de Barcelona (1844-1874). Historia de un banco emisor (2010). Posteriormente desarrolló su actividad como banco comercial (1874-1920), época que se estudia en este libro, el cual también se ocupa del ocaso y fin de esta institución después de un agónico proceso. La desaparición del Banco de Barcelona fue interpretada como signo del fracaso financiero de la burguesía catalana. Los autores analizan las causas del declive y ofrecen nuevas evidencias sobre las circunstancias que llevaron a su quiebra.
EL MUNDO GRIEGO Y EL ORIENTE I (WILL, ÉDOUARD) (Historia)
Es la primera versión que atiende al texto original como obra destinada a ser representada en un teatro, y, por tanto, intenta respetar los 'signos' que atañen al espacio escénico.
Es la primera versión que atiende al texto original como obra destinada a ser representada en un teatro, y, por tanto, intenta respetar los 'signos' que atañen al espacio escénico.
EL REGRESO DE LAS NAVAS (TORRES BARRANCO, JUAN ANDRÉS) (Historia)
CROMÀTICA PALATINA (BALCELLS LLOBERA, FRANCESC) (Historia)
EL ARCHIVO DE LA ESCUELA DE ARTESANOS DE VALENCIA. INVENTARIO (CAMPILLO, JESÚS / PLA, CÉSAR / PONS ALÓS, VICENT) (Historia)
CANOEROS, FLECHEROS Y CANÍBALES. (BALLESTEROS, MANUEL) (Historia)
Las poblaciones indígenas de América que fueron descubiertas desde octubre de 1492 por Colón y los primeros viajeros españoles en la región del Caribe constituyen un conjunto cultural que solamente podemos conocer a partir de la arqueología y las fuentes históricas de los primeros tiempos, ya que fueron poblaciones que muy pronto iban a desaparecer como consecuencia del choque biológico y cultural con los españoles.
Las poblaciones indígenas de América que fueron descubiertas desde octubre de 1492 por Colón y los primeros viajeros españoles en la región del Caribe constituyen un conjunto cultural que solamente podemos conocer a partir de la arqueología y las fuentes históricas de los primeros tiempos, ya que fueron poblaciones que muy pronto iban a desaparecer como consecuencia del choque biológico y cultural con los españoles.