Música

AN ACCOUNT OF CHURCH BELLS (LUKIS, WILLIAM COLLINGS)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

AN EXPLANATION OF THE ORGAN STOPS WITH HINTS FOR EFFECTIVE COMBINATIONS (LOCHER, CARL)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

THE BAY PSALM BOOK (ANONYMOUS)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

REACCIÓN Y PROGRESO Y OTROS ENSAYOS MUSICALES (ADORNO, THEODOR W.)

Thomas Mann, amigo íntimo de Theodor W. Adorno, dice de él en Génesis del Doktor Faustus : «Durante toda su vida, este hombre de excepcional intelecto se negó a elegir entre la filosofía y la música. En el fondo, sentía necesidad de continuar con los mismos objetivos en los dos campos. Su mentalidad dialéctica y su tendencia a la sátira social se unen a su pasión por la música. Estudió composición y piano, primero con algunos maestros de Frankfurt y después con Alban Berg y Eduard Steuermann. De 1928 a 1931, fue director de Anbruch de Viena y se dedicó a promover la música radical moderna»«¿Cómo se explica que este radicalismo, considerado por el profano como una especie de sans-culottismo musical, vaya acompañado de un gran sensibilidad por la tradición, un marcado sentido de la historia y una obstinada insistencia en la técnica y la disciplina artística ?»«No puedo juzgar la composición de Adorno, pero su conocimiento de la tradición, su dominio de todo el corpus histórico musical son enormes. Un cantante norteamericano que trabajaba con él me dijo un día : ?Es increíble, conoce todas las notas existentes en el mundo.?»la mayoría de los ensayos musicales reunidos en este volumen habían aparecido en publicaciones periódicas difíciles e incluso imposibles de encontrar. Muchos de ellos se habían perdido durante los años de emigración y fueron salvados por Rudolf Komarnicki en Viena.Casi todo lo que entonces escribiera Adorno sobre música había sido pensado ya en su juventud, antes de 1933. Aun así, en esta selección, el autor no introdujo más que pequeñas modificaciones donde consideró necesario corregir viejas deficiencias.En estos escritos, el lector encontrará mucho de lo más característico de las intenciones del autor en el época en que éste colaboraba en el Anbruch vienés.

ENRIQUE TRUAN. VIDA Y OBRA MUSICAL (RODERO, LEOPOLDO)

Definir a Enrique Truan (Gijón, 1905-1995) como “artista sensible, generoso con su música y original, apartado siempre de modernismos y tendencias de última hora”, es trazar las claves para un retrato casi definitivo del artista. Leopoldo Rodero, alumno, amigo y colaborador de Truan en varias de sus tareas musicales, nos ofrece esta minuciosa y exacta biografía.

DA CAMERA 1 (VILA BLASCO, MARIONA)

11 piezas para violines, violonchelo y piano: - 6 piezas para 2 violines, violoncelo y piano a 4 manos: Ensalada popular, El prisionero, Farrela, El cuco y el asno (pop. alemana), Vals, El paseo. - 3 piezas para violín, violonchelo y piano: Carrera de caballos, La tortuga y la liebre, Pies y zapatos. - 1 pieza para piano a 6 manos: Cristales rotos. - 1 pieza para piano a 8 manos: Los seis papeles.

BALLADS FROM MANUSCRIPTS (MORFILL, WILLIAM RICHARD/FURNIVALL, FREDERICK JAMES/WILLIAMS, RICHARD)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

LYRIC STUDIES (DORRICOTT, ISAAC)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

CONTRIBUTION · L’‚TUDE DE L’AMUSIE ET DE LA LOCALISATION DES CENTRES MUSICAUX (BRONISLAWSKI, VENCESLAS HANDELSMAN)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

THE LIFE HYMNAL (MITCHELL, STANFORD/MITCHELL, EMMA TALBOT)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.