CINCO ROSAS
THE BRONTS; LIFE AND LETTERS
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MOSES AND THE PROPHETS
FROM MANASSAS TO APPOMATTOX
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
ISIDORA AGUIRRE. ENTRE LA HISTORIA Y EL COMPROMISO
ISIDORA AGUIRRE, entre la historia y el compromiso está conformado por trabajos de investigación de especialistas en los que se estudia pormenorizadamente la producción dramática de Isidora Aguirre, una de las autoras más significativas del panorama teatral hispanoamericano del siglo XX. Se puede afirmar que la obra de Isidora Aguirre es una suerte de calidoscopio de la historia chilena, pues ha revisado los momentos más significativos del devenir social y político de este país. Asimismo, se incluye una obra inédita y referencias sobre la vida literaria y espectacular de los textos.
WILLIAM HEDLEY
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
THE INTIMATE LIFE OF ALEXANDER HAMILTON
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LIVES OF THE BRITISH ADMIRALS
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LIFE OF DAVID S. TERRY
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THE BEST LETTERS OF PERCY BYSSHE SHELLEY
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
LOS DÍAS ESTÁN CONTADOS
En 1937, en una casa de Valencia con los cristales rotos por los primeros bombardeos, un grupo de escritores y artistas republicanos se reúnen para fundar una de las mejores revistas de cultura que hayan existido en nuestro país : «Hora de España». En 1947, regresado de la derrota, de las semanas en el campo de concentración francés y de los años de improvisado vivir en México, Brasil y Argentina, uno de ellos, Juan Gil-Albert, vuelve a esa casa que era la suya, para reanudar, en unas condiciones de marginación social y literaria que a fuerza de inevitables llegarán a hacérsele deseables, el hilo de una vida definitivamente cambiada. Esta es la aventura que entre muchas otras teje la trama de Los días están contados, la más antigua de las obras de Gil-Albert que en este libro, al que ella presta título, se recogen invirtiendo el orden cronológico. Meditación autobiográfica de quien instintivamente escogió el exilio en su tierra, en sus páginas late el germen vivo, y a veces exasperado, de muchas de las ideas y las actitudes que se explayan en las otras tres piezas. Abre, pues, el volumen, la más reciente : Viscontiniana, relato autobiográfico a la vez que homenaje al arte de Luchino Visconti y a su versión cinematográfica de Muerte en Venecia. Apreciación estética, digresiones y narración alternan y se funden admirablemente en la rara y encantadora unidad del conjunto. Entre estos dos ensayos autobiográficos, A propósito del Arte, de Andalucía, de Ortega y Gasset y de otras cuestiones patrias y Genio y figura son textos afines que demuestran la capacidad de distanciación y la libertad de espíritu de su autor. Como buen exiliado, de afuera o de adentro, Gil-Albert encuentra en la realidad española motivo frecuente para la irritación ; pero eso no le impide a veces contemplarla en extranjero como un apasionante y peculiar espectáculo.
CARDIPHONIA; OR, THE UTTERANCE OF THE HEART IN THE COURSE OF A REAL CORRESPONDEN
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LIFE AND RELIGIOUS OPINIONS AND EXPERIENCE OF MADAME DE LA MOTHE GUYON
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POMPEU FABRA: L’AVENTURA DE LA LLENGUA
L'any 1932, amb la publicació del Diccionari, Pompeu Fabra arriba al cim de la seva carrera professional i al reconeixement públic unànime. Sembla que tots els elements s'han conjurat, finalment, per al triomf de la reforma lingüística. Però el recorregut fins a arribar a aquest moment no ha estat fàcil. Les dificultats i oportunitats que s'han succeït al llarg dels anys abans d'assolir aquesta fita, converteixen Fabra en un autèntic aventurer de la llengua.
