Obras de teatro, textos teatrales

HARRISON’S DESCRIPTION OF ENGLAND IN SHAKSPERE’S YOUTH (WHEATLEY, HENRY BENJAMIN/FURNIVALL, FREDERICK JAMES/HARRISON, WILLIAM)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

LITTLE THEATER CLASSICS (ANONYMOUS)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

PRACTICAL MASONRY, BRICKLAYING AND PLASTERING, BOTH PLAIN AND ORNAMENTAL (NICHOLSON, PETER)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

POET LORE; VOLUME 18 (D’ANNUNZIO, GABRIELE)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

SIMILE AND METAPHOR IN GREEK POETRY FROM HOMER TO AESCHYLUS (KEITH, ARTHUR LESLIE)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

SOPHOCLES ANTIGONE (SOPHOCLES/WOLFF, GUSTAV/D’OOGE, MARTIN LUTHER)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

TEATRO COMPLETO DE JUAN DEL ENCINA (ENCINA, JUAN DEL)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A TRAGEDY (RICHARDSON, ROBIN ANN)

JANICE IS THE AVERAGE MODERN DAY WELL KEPT UP TO DATE WOMAN, OR SO SHE THINKS. UNTIL A ONE NIGHT ENCOUNTER WITH A STRANGER WILL FOREVER CHANGE NOT ONLY HER LIFE, BUT THE LIFE OF THE ONES SHE LOVES THE MOST. SOMETIMES THE SELFISH DECISIONS THAT WE CHOOSE TO MAKE IN THE SO CALLED NAME OF LOVE, LIKE NOT GETTING TO KNOW SOMEONE BEFORE YOU INVITE THEM INTO YOUR WORLD, ARE THE WORST DECISIONS THAT WE CAN POSSIBLY MAKE. SOMETIMES WE WILL SUSTAIN A FEW BUMPS AND BRUISES ALONG THE WAY, MAYBE EVEN A BROKEN HEART OR TWO AND SOMETIMES THE REAL STRANGER IS THE ONE THAT'S SLEEPING BESIDE YOU EVERYNIGHT, AND THAT CAN ONLY LEAD YOU TO A TRAGEDY!

TEATRO HISPÁNICO Y SU PUESTA EN ESCENA, 2A ED. . ESTUDIOS EN HOMENAJE A JOSEP LLUÍS SIRERA TURÓ

El Teatro ha sido el objeto de estudio, investigación, docencia, creación, crítica y reflexión de Josep Lluís Sirera (Valencia, 1954-2015). Teatro hispánico y su puesta en escena reúne trabajos académicos de colegas y discípulos que han tenido la suerte de compartir y disfrutar de su saber y amistad. Este volumen de estudios teatrales quiere ser un sentido homenaje al profesor Josep Lluís Sirera, gran estudioso, profesional y apasionado del Teatro, que ha ejercido su maestría sobre varias generaciones de investigadores. Su compromiso, trayectoria y dedicación, a lo largo de casi cuarenta años, son ejemplo perfecto de la entidad y proyección del profesor universitario y de sus tres ámbitos científico profesionales: la docencia, la investigación y la gestión que, en el caso de Josep Lluís, estaban presididos por una gran y constante vocación.

KEEPER OF MY HEART (FLYNN, DARCY)

Katie McCullough doesn?t know it, but Max Sawyer, the over confident, irritatingly handsome hotel developer who outbid her for the lighthouse property, is none other, than her mystery lighthouse sailor. The one man who captured her heart five years earlier, the one man who has since been the plumb line for every other unsuspecting male who has crossed her path. Unfortunately for Max, he doesn?t measure up either.? Still reeling from losing the property she?d planned to call home, sparks fly when Katie assumes Max is turning her beloved lighthouse compound into one of his ?Serenity Spa Resorts.? Outraged, Katie sets out on a mission to dismantle the property?and his plans.? Except Max?s plans have absolutely nothing to do with hotels and everything to do with winning Katie?s heart.

THE DRAMATICK WORKS OF WILLIAM SHAKESPEARE (FRANCIS, DAVID/MUNROE, EDMUND)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

THE FIRST EDITION OF THE TRAGEDY OF HAMLET (ANONYMOUS)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

L’HABITACIÓ DEL NEN. . (LES TRETZE DE LA NIT) (BENET JORNET, JOSEP MARIA)

Un home i una dona es lleven il·lusionats per celebrar l'aniversari del seu fill. Des del balcó del menjador contemplen el pis que tenen pensat de comprar, just a l'edifici de davant de casa seva. Aviat començaran una nova vida. El fill s'ha llevat esverat, entre il·lusionat i perplex, incapaç de pair els regals i les atencions que rep. Però un imprevist sacsejarà la vida d'aquest matrimoni i res ja no tornarà a ser igual. L'habitació del nen és una obra inquietant sobre les relacions de parella i l'amor filial. Un drama que divideix lectors i espectadors en dos bàndols irreconciliables fins al final.Josep M. Benet i Jornet (Barcelona, 1940) és un dels autors més representatius del teatre català actual. Entre les seves obres, més de quaranta títols fins ara, podem destacar Una vella, coneguda olor (1964), Berenàveu a les fosques(1972), La desaparició de Wendy (1974), Revolta de bruixes (1977), El manuscrit d'Alí Bei (1985), Desig (1989), Fugaç (1994), E.R. (1994), Testament (1996), El gos del tinent(1997) i Precisament avui. Confessió (1998). Ha obtingut, entre d'altres, el Premi Nacional de les Arts Escèniques (1991), el Premi Nacional a la millor obra teatral feta entre 1988 i 1990 (Generalitat de Catalunya) i el Premio Nacional de la Literatura Dramática 1995 (Ministerio de Cultura). L'habitació del nen (2003) s'ha estrenat al Teatre Lliure sota la direcció de Sergi Belbel.

THE FAMOUS VICTORIES OF HENRY THE FIFTH (DANIEL, PETER AUGUSTIN/PRAETORIUS, CHARLES)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.