UMBRACLES . TEXTOS DRAMATICS PER A TITELLES (SIRERA TURÓ, RODOLF / ALAPONT, PASQUAL / ZARZOSO MARTÍNEZ, PACO)
LA FUNCIÓN POÉTICA Y EL TEATRO DE VANGUARDIA (GARCÍA TEMPLADO, JOSÉ)
LAS CRIADAS . TR.: L. MOREAU-ARRABAL (GENET, JEAN / SALABERT, MIGUEL / REV.)
EL ENFERMO IMAGINARIO ; EL MÉDICO A PALOS (MOLIÈRE)
LOCOS POR LA DEMOCRACIA (OLANO, ANTONIO D.)
MUDARSE POR MEJORARSE. LA VERDAD SOSPECHOSA (RUIZ DE ALARCÓN Y MENDOZA, JUAN)
MARY’S WEDDING (CANNAN, GILBERT)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
THE LONGEST QUEST (BLACK, TOM)
Gwen Cheski had things on her mind. She was struggling to make a fresh start, with a new job in a new town, in a new state, far removed from anything she?d known. Meanwhile, her past was in the past, with all of its heartaches and all of its secrets. Of course, sometimes we don?t know the depths of our own secrets. For Gwen, this was a truth soon to be brought home in fear and pain. Then the murders started, and the bodies began to disappear, leaving only unanswered questions and a growing pall of fear in their wake. The authorities insisted there was no pattern, but there was. Gwen began to sense its forming. Not clearly at first, but each new horror brought with it added clarity. The body count mounted and the terror grew. Soon, she knew, there would be no hiding ? either from the evil shrouding the town, or from the hidden places within herself from whence the recognition came. That was when she first saw the red van and the flood of secrets began to flow forth.
MILENIO (GONZÁLEZ, ANTONIO JESÚS)
LA MORT D’AUGUST (WEINGARTEN, ROMAIN)
No es tracta de l'emperador August. Es tracta d'un clown que es diu Iogurt, de Zita, la dona-pantera, i del clàssic monsieur Loyal. Iogurt és l'home més ximple del món i Loyal segurament és el més intel·ligent i el més poderós. Tot passa en un circ. La mort d'August, una metàfora del món real i les seves misèries, és un text innovador, complex i arriscat, escrit amb un llenguatge poètic ple de dobles sentits o de sense sentits, amb situacions hilarants provocades per l'absurd i amb escenes sorprenents.
THE DOCTOR’S DILEMMA (SHAW, BERNARD)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
