THE STORY OF A SOLDIER’S LIFE; VOLUME 1 (WOLSELEY, VISCOUNT GARNET WOLSELEY)
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LETTERS FROM NEW PLYMOUTH 1843 (COMPANY, NEW ZEALAND)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
MY HUSBAND LOOKS BETTER IN LINGERIE THAN I DO … DAMN IT (THOMPSON, BOBBIE)
Bobbie Thompson, the supportive spouse of a transgender male-to-female, tells her side of their story in "My HUSBAND Looks Better in Lingerie Than I Do ... DAMN IT," in this companion memoir to "Hung in the Middle: A Journey of Gender Discovery," (www.hunginthemiddle.com) written by her spouse, Alana Nicole Sholar. After knowing 'him' for nearly 25 years, and even sharing a three-year intimate relationship in the mid-1990's, upon seeing 'her' for the first time in 2006, Bobbie was freaked out and didn't want to have anything to do with 'her.' Two years later, December 31, 2008, they were married. But marriage was only the beginning of this wild and wonderful ride they share called life. Often when Bobbie shares with others that her spouse is transgender she is asked, "Why in the world would you choose to be married to someone like that." "My HUSBAND Looks Better in Lingerie Than I Do ... DAMN IT" answers that question and further explains theirs is a happy marriage, although they face the same pitfalls faced in any marriage, such as financial difficulties, in addition to many situation
MASTERPIECES OF NEGRO ELOQUENCE (ANONYMOUS)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
THE LEADBEATER PAPERS (CRABBE, GEORGE/LEADBEATER, MARY/ST. TRENCH, MELESINA CHENEVIX GEORGE)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
THE WRITINGS OF MARK TWAIN (WARNER, CHARLES DUDLEY/TWAIN, MARK)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
LIFE OF JEHUDI ASHMUN, LATE COLONIAL AGENT IN LIBERIA (GURLEY, RALPH RANDOLPH)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
IX JORNADES D’ESTUDIS LOCALS D’ALCÚDIA (AJUNTAMENT D´ALCÚDIA)
ESTO APRENDÍ (FIERRO (1936-), ALFREDO)
Que otros se gloríen en lo que han vivido, han viajado, han hecho; que se ufanen por las personalidades que han conocido, con quienes se han codeado; que se complazcan en los amores felices que gozaron o en los infelices que sufrieron. Yo me gloriaré en aquello que aprendí, lo que he aprendido año a año, a veces daño a daño . Ni siquiera me gloriaré por ello; lo declararé con sencillez, desde la alcanzada veteranía –no presumiré sabiduría–, por si a algún lector cómplice le vale de algo. Con esas intenciones aborda el autor unas memorias que nada tienen de convencionales: memorias de aprendizaje, de lecturas, de lo aprendido en la vida; y en las cuales se borra como personaje para dar paso a libros maestros, a las vicisitudes ideológicas propias y de una entera generación, a voces de alter ego en disidencia, anidadas en alguien resistente a tener o ser un ego
LIFE AND LETTERS OF BAYARD TAYLOR; VOLUME 2 (SCUDDER, HORACE ELISHA/TAYLOR, MARIE HANSEN/TAYLOR, BAYARD)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
VIVENCIAS DE UN NIÑO DE ALDEA EN LOS AÑOS CINCUENTA (DIEGO ESTÉVEZ, MANUEL)
CALVIN AND THE REFORMATION (WARFIELD, BENJAMIN BRECKINRIDGE/DOUMERGUE, EMILE/ARMSTRONG, WILLIAM PARK)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
LAS CUATRO PUERTAS (BUSCÀ FONT, MARC)
Marc sufrió una larga depresión de la que no había escapatoria. Dos años de abandono que culminaron en un sueño. Un sueño que le enseñó el camino, que según avanza el conocimiento sobre él mismo y su entorno irá cambiando de mundos para finalmente descubrir el mayor de los secretos. Al despertar del sueño todo había cambiado: había hecho EL CAMBIO y todo su ser ansiaba encontrar la forma de demostrar al mundo quién era él en realidad, aunque solo fuera el comienzo. El lector descubrirá cuál fue ese sueño y la verdad olvidada, aunque solo sea el comienzo.
ENSAYO BIOGRÁFICO DEL CÉLEBRE NAVEGANTE Y CONSUMADO COSMÓGRAFO JUAN DE LA COSA . . DESCRIPCIÓN E HISTORIA DE SU FAMOSA CARTA GEOGRÁFICA (VASCANO ( DESCONOCEMOS SEGUNDO APELLIDO), ANTONIO)
MEMÒRIES D’UN CARTELLISTA DEL 36 (FONTSERE CARRIÓ, CARLES)
L'esclat cartellista del juliol del 36 ha estat valorat de manera molt positiva per estudiosos i crítics d'arreu del món. Un dels cartells més coneguts, convertit gairebé en objecte de culte estètic, mostra un camperol empunyant la falç amb el braç enlaire i el lema "Llibertat!", amb el rerefons roig i negre de la bandera anarquista. L'autor, Carles Fontserè, tot just tenia vint anys quan es va comprometre amb la revolució, juntament amb els seus companys Alumà, Helios Gómez, Antoni Clavé i molts d'altres que apareixen al llarg d'aquestes pàgines.En les seves magnífiques memòries, més artístiques, polítiques i col·lectives que no pas íntimes, Fontserè recull l'ambient carlista familiar i el de la petita burgesia benpensant, però també la seva experiència en el requetè de Barcelona, el seu posterior compromís amb l'anarquisme llibertari, el Sindicat de Dibuixants, les Brigades Internacionals, el dramàtic pas de la frontera amb Lluís Companys, Josep Tarradellas i Jaume Miravitlles, i finalment l'internament en un camp de concentració de França.