JAUME NUNÓ. UN SANJUANENSE EN AMÉRICA (CANTON FERRER, CRISTIAN / TOVAR ABAD, RAQUEL)
Primera biografia completa del compositor Jaume Nunó (1824-1908), autor de l'him ne nacional de Mèxic, summament apreciat i admirat en aquest país, però escassam ent conegut a la seva Catalunya natal. La troballa pràcticament fortuïta d'un ar xiu familiar dels afores de Nova York ha permès a Cristian Canton i Raquel Tovar recuperar aquesta interessant figura de la història de la música. Coincidint am b l'any del bicentenari de la independència mexicana, Casa Amèrica Catalunya pub lica aquesta obra en col·laboració amb l'Ajuntament de Sant Joan de les Abadesse s i el Consolat General de Mèxic a Barcelona.MISIA (SERT, MISIA)
Misia, así a secas, pertenece a esa clase de mujeres que, más que crear ellas mismas, conciben la propia vida como fuente a la que acuden a inspirarse y saciarse aquellos que sí crean. Pianista con duende suficiente como para embelesar a Liszt y a Fauré, su maestro, Misia, por su sensibilidad artística y su sutilísima capacidad catalizadora, fue una de las personas que más contribuyó a establecer los gustos de un amplio sector del mundo del arte, de la música, de la danza y de la literatura en el París de antes y después de la primera guerra mundial. Ocupan su caudalosa existencia personajes como Mallarmé, Proust, Renoir, Toulouse-Lautrec, Diaghilev, Stravinski, Coco Chanel, Picasso y tantos otros, quienes, de hecho, conformaron el espíritu de nuestro siglo.Esta autobiografía, publicada póstumamente en Francia con enorme éxito de público en 1952, fue concebida al inicio como una larga y desesperada carta al gran pintor español José M.ª Sert su tercer marido y único perdido amor, y ha sido hoy «revisitada» para nosotros por un sobrino nieto de éste, Francisco Sert.AUTOBIOGRAFÍA DE TODO EL MUNDO (STEIN, GERTRUDE)
?Alice B. Toklas hizo la suya (autobiografía) y ahora todo el mundo hará la suya?, así empieza Gertrude Stein estas memorias suyas, muy suyas, aunque las atribuya siempre a otros, esos ?otros? que, en conjunto también son ella, su vida y su escritura.En 1933, Autobiografía de Alice B. Toklas alcanzó un enorme éxito de público saltando en poco tiempo a las listas de best-sellers. En Autobiografía de todo el mundo, Gertrude Stein, célebre ya, narra los cinco años siguientes de su vida en Francia, Inglaterra y Estados Unidos y sigue haciendo sus características observaciones, siempre llenas de sarcasmo y sagacidad, sobre los personajes que conoce como Dashiel Hammet, Charlie Chaplin, Picasso, Picabia, etc., y también sobre su propia vida, con sus pequeños problemos cotidianos ? que ella convierte en materia de humorística reflexión -, y sobre su trabajo como escritora y conferenciante.El tema que obsesiona a Gertrude Stein en toda su obra es el que ella resume en una frase hoy conocida de todos: ?una rosa es una rosa es una rosa? o sea, la entidad profunda de las cosas y de los seres sin más atributos que los que están implícitos en la palabra que los designa. A nadie extraña ya hoy en día que haya sido una mujer la que, en nuestro siglo, haya planteado con tanta lucidez, tanto humor y tanta sencillez los enigmas de la identidad relacionados en particular con la creación. No en vano termina este libro diciendo con su acostumbrada sinceridad devastadora: ?Quizás yo no sea yo aunque mi perrito me conozca?... RASSELAS (JOHNSON, SAMUEL)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.VICENTE TRAVER TOMÁS. UN ARQUITECTO ENTRE SEVILLA Y CASTELLÓN. (PÉREZ MORALES, JOSÉ CARLOS)
Monografía sobre la etapa sevillana del arquitecto castellonense Vicente Traver Tomás, cuya intensa labor en la capital hispalense entre 1913 y 1933 resultó trascendental para su carrera artística y social y para la configuración urbana de la ciudad de Sevilla. De esta etapa destaca la participación de Traver en la Exposición Iberoamericana de 1929 y 1930, cuya dirección arquitectónica asumió en enero de 1927. José Carlos Pérez Morales, investigador de la Universidad de Sevilla, realiza un riguroso trabajo sobre las aportaciones de Traver a la Exposición Iberoamericana a partir de la bibliografía existente y, sobre todo, de numerosa información que hasta el momento permanecía inédita en diferentes archivos. Con todo ello el autor analiza las aportaciones artísticas y urbanísticas de uno de los más prestigiosos arquitectos españoles del siglo XX sin pasar por alto los rasgos más característicos de su personalidad.MEMOIRS OF THE REV. DAVID BRAINERD (DWIGHT, SERENO EDWARDS/BRAINERD, DAVID)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.LAFAYETTE IN AMERICA IN 1824 AND 1825 (LEVASSEUR, AUGUSTE)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.ALONSO DE VANDELVIRA (1544-CA. 1626/7) . TRATADISTA Y ARQUITECTO ANDALUZ (CRUZ ISIDORO, FERNANDO)
En este libro se perfila la biografía de Vandelvira, aportando nuevos datos personales y familiares y describiendo también sus circuitos laborales, en los que ha dejado una importante producción artística que se analiza con todo detalle, permitiendo calificar su estilo de tardomanierista.LIFE AND LETTERS OF CAPTAIN MARRYAT; VOLUME 1 (MARRYAT, FLORENCE)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.IMPRESSIONS D’UN FOTÒGRAF. . MEMÒRIES (CATALÀ-ROCA, FRANCESC)

FIFTY-THREE YEARS IN SYRIA; VOLUME 2 (JESSUP, HENRY HARRIS)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.DE MEMORIA. . AUTOBIOGRAFIA (1924-1994) (GOMIS SANAHUJA, LLORENÇ)

HISTORY OF NORMAN KINGS OF ENGLAND (COBBE, THOMAS)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.MEMORIALS OF SARAH CHILDRESS POLK (NELSON, ANSON/NELSON, FANNY)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.